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Remo Ricaldone, Planet Country Italy, reviews Hilary Scott’s “Don’t Call Me Angel” and says he hopes it doesn’t become a “best kept secret”.

Don't Call Me Angel

Remo Ricaldone, in his review (English translation) in Planet Country Italy writes,

“Hilary – in the company of her ‘tour band,’ has self-produced an inspired and vibrant album that can be placed alongside the great female voices of American song, from Carole King to Karla Bonoff, in a succession of inflections and influences ranging from country music to pop and soul. “Do not Call Me Angel” contains nine originals and a cover (a brilliant and intelligent “Kiss” that is very different from the version of the song by the singer from Minneapolis) interpreted with heart and soul by a voice whose nuances are multiple and always engaging.

It takes only a few plays to enter the world of Hilary Scott and fall in love with it, if you are sensitive to songs that have melodies full of suffering, hope and passion, perhaps not easily labeled but often moving and profound. “Do not Call Me Angel” is an important and special work, both for the family memories and for a wisdom obtained and put to service in the quality songwriting of ten songs that ask to be listened to again and again. The title track that inaugurates the album, the intimate and heartfelt “Not Used To Being Used To”, the freshness and rhythm of “You Will Be Mine”, the “Make It Right” piano and organ intertwining to make a sumptuous ballad, as well as “Heartless” reminiscent of the great Californian balladeers of the seventies (Valerie Carter above all) are among the best moments. “Unlove Story” sees Hilary Scott performing on the ukulele and invariably sprouting subtle “Caribbean” colors, “Moon And Back” is another example of balance and taste in a delicious piano ballad, “In Time” and “Here I Am” close the circle and show great humanity and ability. Hoping that it does not remain a ‘best kept secret’.”  Remo Ricaldone

For the Italian version:


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